The concept of assemblage that was proposed by Johnson-Eilola
and Selber brings up the idea of incorporating other’s work and refining the
multiple sources into something “better.” Assemblage is a step further from a
remix, in which it removes the hierarchy of the source and originality. The
difference between plagiarism and originality is the amount of effort put into
changing the source material to make something original. This applies in both
legal and educational senses. In almost every single class that was taken since
high school, there has always been an emphasis that plagiarism is bad and that
we had to use quotes and citations in order to reference the source. Every
piece of writing would be turned into Turnitin.com and it would search a
database of other pieces of writing in the Internet to check whether phrases or
sentences would match. In most cases, it would, but only out of pure
coincidence. There are rarely ever remixes to the film and cinema as it usually
leads to legal issues. However, there are homages to this form of art that this
scholarly review doesn’t necessarily mention. That’s what was confusing when
referencing The Shining and parts where one person started creating a mash up
of scenes and title cards. I felt as though that example was randomly thrown in
there and didn’t fit into the previous and subsequent examples of the web
interface, design and architecture. DJ
Mouse’s “The Gray Album which remixed of The Beatles’ “White Album” and Jay Z’s
“The Black Album, was an appeal to mass readers and novices in this topic by
referencing the typical remix used in music.
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