Gateway of Sound: Reassessing the Role of Audio Mastering in the Art of Record Production -This article begins to discuss audio mastering, using technology to make music and how EDM has progressed into a skill. How the finished product is, is re-actualized into a performance in the hands of the DJ. How we have gone from Vynles to, CDs, MP3s and how all this technology has altered the face of music.
“Waiting for the Bass to Drop”: Correlations Between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electronic Dance Music -“This study investigates the correlations between theories of intense emotional experiences and production techniques used in electronic dance music.” This is done through the drops and build up that are included in songs to create tension and excitement in the music. One of the biggest purposes of this is to fit in to the “Club experiences.” The article is mainly a study showing how this affects people emotionally.
PARTICIPATORY THEATRE: THE EXPERIENTIAL CONSTRUCT OF HOUSE AND TECHNO
MUSIC EVENTS
This article describes how the relationship between house music and theater
could be used to have great shows. House music is said to prokve and emotional
response from many, which is also the same goal as most of theaters, therefore,
combining them should be beneficial. It also covers a history of house, techno
and rave events. Which began in,
“African American dance clubs in New York, Detroit and Chicago in the late
1970s and early 1980s.”
Principia Electronica
This article also discusses the origin of house and its, “provided overnight fuel for the gay
awakening of the post-Stonewall period.” This music has evolved over the years
into different types, from slower, faster, denser, etc. It was widely ignored
for many years until recently when it began to gain much popularity.
No comments:
Post a Comment